Robert Altman has died. His filmography is here.
I can't say I was a big fan of his -- another Hollywood leftist whose work followed his politics. His most famous work, M*A*S*H is often cited among top-100 lists and so forth, but only because (1) it resulted in a wildly successful television series (with which Altman had no involvement) and (2) it reinforced the left's mealy-mouthed antiwar sentiments.
Altman was said to have joked that Johnny Mandel made more profit from M*A*S*H simply by writing the theme song, thus gaining exponential royalties when it moved to TV.
While the movie has its moments, I found it rather uneven -- kind of an attempt to stretch a half-hour sitcom into a feature-length picture, which in itself is odd since of course the movie came first, but, again, Altman and Ring Lardner Jr. had an agenda.
Politics and inaccuracies aside, M*A*S*H is palatable and at times even enjoyable until the completely incongruous football sequence at the end, at which point the entire picture degenerates from a comedic yet at least somewhat thoughtful antiwar commentary into an almost unwatchable slapstick. "Hotlips" O'Houlihan goes from Nurse Ratchet to Britney Spears with one cut -- again, completely in contradiction to the first 3/4 of the movie. I've never figured out what Altman et al were trying to do with that.
For its part, the TV series -- although a different breed of humor than Hogan's Heroes -- is very well done if you can accept the underlying anti-war / anti-establishment tone and you can handle Alan Alda in small doses. Perhaps the only case where the spinoff TV show was better -- and (much) more successful -- than the movie which inspired it.
5 weeks ago